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A short introduction to Tian style Xingyiquan
I have been living and training XYQ in it’s birthplace, Shanxi province, China, for13 years. During this time I have met practitioners from many different local lines and styles of XYQ. The major lines being passed down in Shanxi are Song and Che families, and other styles directly derived from those lines. Some other styles, like the Li Guichang one are a mix of many diffferent arts (Li Guichang’s style is a mix of mostly Hebei Xingyi (with few Song family XYQ elements in it), Yang Taijiquan, Baguazhang and some Shaolin based techniques. Each of these lines have, of course, their own characteristics and training methods, and I am fairly familiar with most of them, but no XYQ that I have seen here (or anywhere else for that matter) appealed to me as much as Tian Style XYQ. Tian style XYQ is the line coming down through Master Tian Zhonglan, disciple of Song Tielin.
Even though Master Tian learned directly from Song Tielin he also received instruction from other members of the Song family (notably Song Huchen) and went training to become a very famous fighter in the Shanxi area, known for never losing a fight in his career. The XYQ that he passed on to his sons and disciples was the result of a lifetime of research, hard training and real fighting experience, and it became very different from the XYQ practiced by the Song family. Even though there are obvious Song family XYQ elements in what he transmited, he promoted changes in the system and as a result created his own style. To establish our starting point in this article it should be clear that Tian style XYQ has its roots in Song family XYQ, bey these two lines are different and independent.
What attracted me to Tian style XYQ was, in fact, a couple of elements that I recognized as missing in the schools I have met. They were:
- Very strong and explosive power issuing, different that anything I have ever seen here (and I’ve seen a lot…)
- No nonsense approach to fighting and training
- Fighting theory that was expressed in daily training.
- The fact that Tian style XYQ is not watered down or mixed with other martial arts.
Power: I have seen, crossed hands and experienced power from renowned practitioners from different lines, and although some of them had, to some extent, a kind of power, there was always a problem with it. Some lines rely on issuing power from a certain distance, some others try to unbalance the opponent before issuing. What I have seen in Tian style XYQ that impressed me from day one was how raw and violent the power is. Absolutely refined but at the same time crude, raw, violent and very explosive.
Anyone that knows a bit about XYQ’s history knows that, as a martial art, it is supposed to be fierce and direct. Not what I generally saw throughout my years here. Well most teachers will still talk about how direct and how fighting oriented XYQ was or is supposed to be, some will also show you some applications but basically this is where the “fighting oriented” martial art stops, because to be honest I haven’t seen fighting oriented training here. In fact, more than once, I have had lineage holders telling me they don’t train fighting. There are, of course, people that still try to develop certain fighting skills and I certainly believe that some practitioners here are more than able to defend themselves, but the point is that even for these people their so called “fighting skills” (fight training) doesn’t seem to be, as it was before, an important part of what they teach. It’s there somewhere but it is never something that will be considered a most important practice, something you will see from day one.It is something that you will probably never see, some mysterious goal that exists almost as if it was some kind of legend. And if you eventually get to the point where you begin to learn some of it, my personal experience tells me that it wont be very useful for a real street fight and most of what you learn might fit better in a cooperative push hands exercise. Not that you can’t learn a few things that would be useful in a street fight, you can, but it seems that you can learn only bits and pieces, a number of techniques thrown at you as “useful for fighting”. This is not what you want. What you want is a system where those techniques fit. This is what I found in Tian style XYQ, an entire system that was created to give a student the tools that he will need in actual combat. Solo and 2 men exercises that train skills needed in real fights. Push hands thought not as a goal, an end game, but as a tool, reality based forms, sparring sessions etc.
XYQ was created as a martial art. It wasn’t created as a way to keep fit, as a way to attain spiritual advance or as a way to become a better person. Even though all these can be attained through the regular practice of XYQ, the main objective still was and is fighting. It isn’t anymore. I have heard (yes, I talk a lot to other practitioners) from a lineage holder that his style doesn’t train fighting because we don’t need to know how to fight in our modern society. From my experience I’d say that most practitioners here agree with this person. This shows us two things: the current state of XYQ as a martial art and the poor understanding that people have of martial training and the advantages that come out of it. Not only knowing how to fight is still (very) necessary, people don’t realize that correct martial training prepares the body, the mind and the spirit in very specific ways, forging a person’s spirit and personality. Because of this lack of understanding of the nature of martial training it is only but natural that modern XYQ training lacks in the very same thing that is XYQ’s soul: martial attitude.
No martial attitude, obviously, no martial training. There is all the talk about XYQ’s theory (which is 100% martial), about using your hands in this way, about issuing this and that kind of power, about the effectiveness of this or that element, or about the qualities of a certain animal in fighting, but this talk is not translated into everyday practice. Of course people still train their entire curriculum, but I don’t seem to see where all that martial attitude that permeates XYQ’s theory is in everyday practice. You don’t see all this theory talk in fighting and most people will tell you that it takes time and that sparring and fighting with XYQ are advanced practices. They are not. You don’t need endless years of practice, you need correct practice, martial oriented practice. Anything less than a martial oriented curriculum and you are back to the “you need to train hard for many years before you can actually learn how to fight” game. It seems that XYQ sparring or fighting is something that comes only after years and years of hard training in the basics, or at least that’s what they will tell you. What impressed me on Tian style XYQ is how fighting is stressed from day one. The training, everything in it, has just one objective that is teach the student how to become proficient in fighting, to allow the student to acquire martial ability. Because this is the “starting point” of Tian style XYQ, the whole training is devised in a way as to allow the student to acquire martial skill in the shortest period of time. Therefore, the theory is expressed in daily training and the student can actually understand how it applies into training and real fighting situations.
“Pure” is a tricky word. One of the reasons I came to Shanxi was because I never wanted to hear from other people about what XYQ was in its birthplace, I wanted first hand experience, I wanted the real thing. Throughout my years here I have noticed how some lines have been watered down. The reasons might make a good article but I won’t discuss them in this one. The fact is that most XYQ I’ve seen is not trained as is was in the past anymore, it became like a kind of gymnastics exercise and most people will never pass push hands. In fact it also seems that for many people ability in push hands is a main goal, as opposed to ability in a real fight, true martial ability. Over the generations the lack of martial training has watered down modern XYQ to the point where, in some cases, what we have is but a shadow of what we had before. This is not the case with Tian style XYQ and the training we have now follow the same principles of the training my predecessors had before me: it’s martial oriented.
Now, as I wrote above, I was able to identify interesting elements in many different lines in Shanxi, but the Tian style was the only one where I found all these elements combined into one system, and once I learned of it and had my first contact with it I knew I didn’t have to look anywhere else for what I was looking for.






Hi Tadzio
What about the aspect of cultivation of health with XYQ? Is it a by-product of creating a good fighter? Is there in Tian style chikung, exploration of the santi stance by standing in it for some period of time. I noticed a kind of delicacy in the practitioner's santi on the video you posted on you tube! It would be nice to be able to see his footwork but unfortunately the video is waste-up mostly!
Anyway what you write is very interesting, I would to have a taste of the art, it is so rare to find a pure lineage of XYQ in ourside of the world!
George
George, you can understand the health cultivation aspect as a kind of "side effect" that happens as a result of the martial training. As for time spent on Santi training it all depends on the method. We have different methods of training Santishi.
Sorry I didn't get the whole body of the practitioner on that video. I'll keep that in mind for the next time. Hope you keep enjoying the articles.
Oh yes, I'm afraid I can't recommend anyone in Londond.
Thank you Tadzio!
I have some questions
1.You refer to a text called Quanpu, which a Xsing Yi practitioner should read. Is there any translation of it in English? Is there any way to find the original text, I translate at the moment a Japanese text from the 11th century AD on Sitting-Meditation into Greek which is written mainly in Classical Chinese so I might have a go in to translating it for my self!
2. In what ways do you use Santi shi in your training?
3. I notice that the practitioner in the clip uses his eyes in a very specific way, especially as he is creating the santi shi in his form. I have not seen this kind of intention much before. Can you tell us something about it?
Thanks again!
George
The Quanpu is a book of instruction supposedly written by the creator of the art. It has very valuable instruction on different aspects of training. There are several different versions of it and I think there might be something online. I am not sure.
About Santishi training, sorry but that kind of training is reserved for indoor disciples.
You are correct about the intention in the eyes. It is part of our training.
Good luck on your translation. The translation of classical texts into modern language is always a difficult, but rewarding task. Where did you learn Chinese?
Hi Tadzio
I studied acupuncture, tuina and Chinese herbalism. The herbalism was a Japanese
tradition based on a chinese text from the Han dynasty (Shan an lun). I studied in a 3 year apprendicip and my teacher taught me some Chinese so we could study the text from the original, as many translations are biased. In a similar way I learn more Chinese inorder to translate the before mentioned text. By no way I can say i know Chinese but my desire to understand leads me to learn a bit!
How can someone from Europe study the Tian XYQ?
Keep up the good work!
George
Exactly, health is a side effect of hsing-i just as it was originally for taiji. My style is a fusion of Sanshi XYQ the style the author practices, Dai Style XYQ, Burmese Bando, and Shuai Jiao wrestling. It’s often difficult to se where Sanshi leaves off and Dai picks up other than the fact that Dai stylists don’t practice Santi (I do) and the main chi development is by doing this wierd sinking qigong and bouncing up and down. The five element movements are pretty much standard Sanshi except for a pi-chuan hammerfist which is trained in addition to the modern one. It’s like a double arm hammer. Some of the animal forms resemble Dai rather than Sanshi and both the linking and the two man an shen pao (there is a basic and advenced form) are Dai as far as I can tell. Theres also a three set hammer fist thats from Dai but it appears to be somewhat different than the rest of the style that i have identified as uniquely Dai. It is also my observation that pure Dai stylists appear kind of sloppy in their execution of the five elements but it doesn’t seem to inhibit their power or flowing.
Also as far as watering down and mixing with other martial arts, XYQ is often referred to as the “mother fist” in that as you stated xingyi is a way of life and not just a set of forms. High level development in nay martial art could constitute the practitioner as doing XYQ if his power generations are correct and he is moving and executing at the potimum level.
Just to clarify your comment, when you say “My style is a fusion of Sanshi XYQ the style the author practices, …” you are, of course, not referring to Tian style Xingyiquan, since you are not a member of our clan. You probably mean you practice some other line of Shanxi Xingyi.
Thank you for your comment and good practice.
Sorry for not making the distinction Tad. I didn’t train in China (though my teacher was from there)so I really don’t get too involved with individiual lineages. For the record my sifu said it was Song. For the most part the Sanshi lineages I’ve seen are basically very similar with the way they generate power. Not so differen’t as say Sanshi vs. Hebei. I never could figure out what the Hebei guys were doing.
No worries, I thought I’d just make clear though =)
Say, your teacher does Song? Coming from what lineage? As you are probably aware my grand master was a disciple of Song Tielin but what we do cannot be really called “Song” anymore.
My teacher (he’s no longer with us RIP) said that it was Song Gong wa or something like that. He really wasn’t specific and I didn’t see the importance of researching further at the time. As stated earlier my teacher studied many styles of XYQ and also Shuai Jiao and northern Burmese Bando and synthesized them into what I practice as taught to me.
I stopped training with my teacher over six years ago and have spent a great deal of time buying books and DVD/VCDs for the sole purpose of tracking down all the particular elements of the style. Here is what I’ve come across.
1. Five elements are largely Song Style XYQ. There is a Yue Fist three tiered form (low Middle and high)with 24 combat teqniques that strongly resemble the Ba fan sha style of XYQ. This set is taught before the five elements. After the five elements are taught there is a linking form which from what I can tell comes from the Dai style also our an shen pao form is divided into two basic and advanced which I have only found in Dai style.
Around the last part of the five elements I began studying the unique Bando style footwork strikes and kicks/fighting combinations and integrating them into the fighting combos derived from the five elements. The Shaui jiao is trained seperately and like most of the unique chi na, generally is brought in as a finishing move to the afformentioned techniques. There is also a mantis form and some more fighting forms attributed to General Yue that appear to be heavily Shaolin influenced but still follow the “rules” of XYQ. Whats really odd is that I haven’t found any near equivalents to our animal forms which appear to be very unique.
Interesting blend you have there. Any chance of coming public with it?
Well, I am currently writing a book on the basic power structure of XYQ as I was taught. I have some local students but there is only one that’s really interested in learning the depths of XYQ. The rest of the students just pretty much want to do wrestling and many times our classes devolve into a carnival style brawling match. I am going to be getting a wesite up soon and I will begin publishing my books at the start of next year.
Well Jason, XYQ is definitely not for everyone. it is not an easy practice and certainly does not go along today’s McCulture where people want things that show immediate results.
Let me know when your site is up.
Hello Tadzio
I must say who have a very interesting website and this is a great article.
I have been intersted in martial arts, and have toyed with learning many styles, over many years. I am now in my late 40′s, have lots of committments, but over the last few years have been practising Taiji and lately have become more intersted in Xingyi. There are no teachers within a resonable travelling distance so I have relied on books, dvd’s, and the internet to feed my interest. Over these last years, I have found that my practise (for what it is) has helped me to stay focused and deal with a stressful home, and work, life. I would like nothing more than to disappear to China, to study with a real teacher/Master, and become far more proficient but, alas, my responsibilities will never allow me to do this. Surely, the value of immersing oneself in a particular art, no matter how much it has been watered down, depends on a individuals path and the value that individual can derive from the practise based on their circumstances. I am sure that has been the situation for many centuries although I can see that the ability to use those martial skills in a ‘real’ situation would have been more relevant when that was part of every day life – however, no matter how proficient, and good one thinks they are, I suppose, you are only as good as the next man!
I must admit when I first read your articles, I became a somewhat disillusioned with my own practise which, no doubt, is very watered down, and would, in no way, compare remotely to your knowledge and experience. I then thought, however, I must continue to pursue my interest and become as proficient as can in what I do, despite the restrictions, and continue to get what benefits I do. Great tattoos, by the way…